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The 黑料社
Archaeologies of Media and Technology Research group

Articles

Ashton, Daniel and Giddings, Seth ( 2018 ) 鈥淎t work in the toy box: Bedrooms, playgrounds, and ideas of play in creative cultural work鈥 International Journal of Entrepreneurship and Innovation 19(2), 81-89.

Birkin, Jane ( 2018 ) "Translate and describe: archive-based image description as an intermedial translation technique." Amodern , 8 (Translation-Machination). http://amodern.net/article/translate-and-describe/

Birkin, Jane and Dunn, Rima ( forthcoming 2018/2019 ) "鈥樷 the most dangerous place in the place 鈥︹" Journal for Research Cultures , 2.

Bishop, Ryan ( forthcoming 2018 ) 鈥淭he Lab of Tomorrow: The Eames Office, the Cold War and the Avant-Garde鈥 Theory Culture and Society .

Bishop, Ryan ( 2018 ) 鈥淔elo de se: The Munus of Remote Sensing,鈥 boundary2, 45:8, 2018, pp. 41-63

Bishop, Ryan and John Beck ( 2018 ) 鈥淭he Return of the Art and Technology Lab.鈥 Cultural Politics , 14:2, 2018, pp. 225-243.

Giddings, Seth and Harvey, Alison ( 2018 / forthcoming ) 鈥淟udic economics 101: introduction to the Ludic Economies special issue鈥 Games and Culture.

Giddings, Seth ( 2018 / forthcoming ) 鈥淎ccursed play: The economic imaginary of early game studies鈥 Games and Culture .

Parikka, Jussi ( 2018 ) 鈥滿iddle East and Other Futurisms: Imaginary Temporalities in Contemporary Art and Visual Culture.鈥 Culture, Theory and Critique vol. 59: 1, 2018, 40-58.

Birkin, Jane ( 2017 ). 鈥淢anifesto: Graphic, Sonic, Affective Object.鈥 Media Theory , 1(1).

Bishop, Ryan and Cubitt, Sean ( 2017 ) 鈥淎nti-Humanist Narratives: Greed and Source Code.鈥 Screen , 58:1, 2017, pp. 1-17

Parikka, Jussi ( 2017 ) 鈥漈he Sensed Smog: Smart Ubiquitous Cities and the Sensorial Body鈥 Fibreculture-journal , Computing the City-special issue,

Gil-Fournier, Abelardo ( 2017/forthcoming ), 鈥淪eeding and Seeing. The inner colonisation of land and vision鈥, APRJA , April 2017, .

Giddings, Seth ( 2017 ) 鈥 Pok茅mon Go as distributed imagination鈥, special section on Pok茅mon Go , Mobile Media & Communication : 5(1)

Parikka, Jussi ( 2016 ) 鈥滵eep Times of Planetary Trouble鈥 Cultural Politics , November 2016 issue. Duke University Press, pp. 279-292.

Birkin, Jane ( 2016 ) 鈥淒escribing the Archive: Preservation of Space, Time and Discontinuity in Photographic Sequences鈥 Networking Knowledge: Journal of the MeCCSA-PGN , 9, (5), 1-19.

Ashton, D, and Conor, B. ( 2016 ) 鈥楽creenwriting, higher education and digital ecologies of expertise鈥, New Writing , DOI :10.1080/14790726.2015.1131304

Branch, James ( 2016 ) 鈥淢apping the Mast鈥. Communication Design: Interdisciplinary and Graphic Design Research , , 2015 , 6-26.

Parikka, Jussi聽 ( 2015/2016 ) 鈥漃latform Studies鈥 Epistemic Threshold鈥. Games and Culture ( co-authored with Thomas Apperley). Online first published December 2015, print version forthcoming.

Ashton, D. and Couzins, M. ( 2015 ) 鈥楥ontent Curators as Cultural Intermediaries: 鈥淢y reputation as a curator is based on what I curate, right?鈥濃, M/C Journal 18(4).

Ashton, D. ( 2015 ) 鈥楶roducing participatory media: (Crowd)sourcing content in Britain/Life in a Day鈥, Media International Australia . Special Issue on 鈥楳aking Media Participatory鈥. 154: 101-111.

Bishop, Ryan ( 2015 ) 鈥淪mart Dust and Remote Sensing: The Political Subject in Autonomous Systems,鈥 Cultural Politics, 11:1, pp. 100-110

Parikka, Jussi聽 ( 2015 ) 鈥滶arth Forces: Contemporary Media Land Arts and New Materialist Aesthetics鈥 Cultural Studies Review , New Materialist Aesthetics-special issue eds. Hongisto, Kontturi & Tiainen.

Parikka, Jussi聽 ( 2015 ) 鈥淪ites of Media Archaeology: Producing the Contemporary as a Shared Topic鈥 Journal of Contemporary Archaeology , special forum on Media Archaeology, ed. Angela Piccini. Pp 8-14.

Parikka, Jussi聽 ( 2015 ) 鈥淢utating Media Ecologies鈥. Continent -journal, issue 4.2, 24-32, .

Birkin, Jane ( 2015 ) 鈥楢rt, Work and Archives: Performativity and the Techniques of Production鈥 in Archive Journal , Issue 5, Fall 2015. (Online) Available at

Dawson, I. Jones, Cochrane, et al ( 2015 )聽Digital imaging and prehistoric imagery: a new analysis of the Folkton Drums,聽Antiquity聽/ Volume 89 / Issue 347 / October 2015

Giddings, Seth ( 2014 ) 鈥淲hat is the state of play (the work of the Opies in the age of postdigital play)鈥, International Journal of Play 3(3) 2014

Dawson, I. & Minkin, L. ( 2014 ) Object lessons: copying and reconstruction as a teaching strategy.聽Art, Design & Communication in Higher Education. ISSN 1474-273XD

Bishop, Ryan ( 2014 ) 鈥淚 Sing the Senses Electric,鈥 Journal of Visual Culture 13:1 pp. 20-22

Parikka, Jussi聽 ( 2014 ) 鈥淐ultural Techniques of Cognitive Capitalism: Metaprogramming and Labor of Code鈥. Cultural Studies Review 20 (1), March 2014, 29-51.

Parikka, Jussi聽 ( 2014 ) 鈥淢cLuhan at Taksim鈥. Journal of Visual Culture 13 (1), McLuhan鈥檚 Understanding Media 50 th Anniversary-special issue, 91-93.

Parikka, Jussi聽 ( 2014 ) "Green Media Times: Friedrich Kittler and Ecological Media History" in Archiv f眉r Mediengeschichte , 69-78.

Dawson,聽I.聽Beale Minkin et al ( 2013 )聽Making Digital: Visual Approaches to the Digital Humanities, Journal of Digital Humanities,聽Vol. 2, No. 3

Bishop, Ryan, Victor Burgin and Sean Cubitt ( 2013 ) 鈥淭he Camera as Process and Object: A Discussion with Victor Burgin,鈥 Theory Culture and Society 30:7-8, pp 199-219

Parikka, Jussi聽 ( 2013 ) 鈥滿edia Zoology and Waste Management: Animal Energies and Medianatures鈥 NECSUS 鈥 the European Journal of Media Studies Autumn 2013,

Parikka, Jussi聽 ( 2013 ) 鈥淒ust and Exhaustion: The Labour of Media Materialism鈥. Ctheory November 2013., .

Bishop, Ryan ( 2011 ) 鈥淧roject Transparent Earth and the Autoscopy of Aerial Targeting: The Visual Geopolitics of the Underground鈥 Theory, Culture and Society 28:7-8, pp. 270-286 (reprints: in Peter Adey, Mark Whitehead and Alison J. Williams (eds.) From Above: War, Violence and Verticality. London: Hurst & Company, 2014, pp. 186-202; and in Eyal Weizman (ed.) Forensic Architecture Berlin: Sternberg Press pp.580-591

Bishop, Ryan ( 2011 ) 鈥淭he Force of Noise, or Touching Music: The Tele-haptics of Stockhausen鈥檚 鈥楬elicopter Quartet鈥欌 SubStance, 40:3, pp. 25-40

Bishop, Ryan ( 2010 ) 鈥淭he Huntsman鈥檚 Funeral: Targeting the Sensorium鈥 Social Identities 16:5, pp.607-619

Bishop, Ryan ( 2010 ) 鈥淭he Problem of Violence: Megacities and Violence鈥 Theory, Culture & Society, 27:6, 3-10

Bishop, Ryan and Tania Roy ( 2009 ) 鈥淢umbai: City-as-Target: Introduction,鈥 Theory, Culture & Society, 26:7-8, 263-277,

Bishop, Ryan ( 2009 ) 鈥淢ethod, Techne and Auto-Kinesis,鈥 Theory and Event, 12:1,

Bishop, Ryan and Lillian S. Robinson ( 2008 ) 鈥淭he Tele-technics of Agency, the Net, theUrban and Sex Tourism,鈥 Social Identities 14.3: 349-361,

Bishop, Ryan and John Phillips ( 2008 ) 鈥淎mong the Blind Cultural Politics 4:3聽 269-288 Bishop, Ryan, Couze Venn, Roy Boyne and John Phillips 鈥淭echnics, Media, Teleology: Interview with Bernard Stiegler,鈥 Theory Culture & Society, 24 Annual Review, 2007, pp. 334-341

Bishop, Ryan and John Phillips ( 2007 ) 鈥淯biquitous Media Art Exhibition,鈥 Theory Culture & Society, 24 Annual Review, 24:7-8, pp. 359-369

Bishop, Ryan and John Phillips ( 2007 ) 鈥淏audrillard and the Evil Genius,鈥 Theory Culture & Society, 24(5): 115-125,

Bishop, Ryan, Greg Clancey and John Phillips ( 2006 ) 鈥淛ust Targets,鈥 Cultural Politics . 2:1, 5-28.

Bishop, Ryan and John Phillips ( 2004 ) 鈥淭he Slow and the Blind,鈥 Culture and Organization, 10:1, March, pp. 61-75.

Bishop, Ryan and John Phillips ( 2003 ) 鈥淭he Curious Logic of the Hinge,鈥 Body and Society, vol 9 no. 4, December聽 pp. 1-21.

Bishop, Ryan and John Phillips ( 2002 ) 鈥淢anufacturing Emergencies,鈥 Theory Culture and Society, vol.19(4) 93-104.

Bishop, Ryan and John Phillips ( 2002 ) 鈥淪ighted Weapons and Modernist Opacity: Aesthetics, Poetics, Prosthetics,鈥 boundary 2 , 29:2, pp.157-179.

Bishop, Ryan and John Phillips ( 2002 ) 鈥淯nmanning the Homeland,鈥 co-authored with John聽Phillips, International Journal of Urban and Regional Research , 26.3, pp. 620-625.

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